A plate a day, and black clay

Have just got the studio ready for black clay – I have no idea why I thought black clay would be good in a studio normally dealing with white porcelain clay but let us not dwell on that too much. It looks quite innocuous so far, in fact it looks quite dull in colour, but should apparently become a nice matt black once fired.

I will be attempting a plate a day as I find it good fun, and allows for more freehand, and less overthinking, but I am fine with spending more time on ones which need it – no-one wants too much of a slapdash approach which the plate a day approach always walks dangerously close to doing….



About rebeccaedelmann

Danish ceramicist
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