Keeping at it, and getting there.

Testing plate with all my glazes and underglazes and stains, with and without transparent glaze, mixed and applied thinly and thickly. All noted. It’s a thing that I can spend long stretches of time considering, because there are so many variations, and even then it might come out utterly different from how you thought.

It used to annoy me, to make me feel overwhelmed, but something has changed. I kept at it, and it makes me happy to know that.


About rebeccaedelmann

Danish ceramicist
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